Urban life
can be rewarding and full of surprises. While staying in Vancouver, Canada this
June to present the work of Smarter Than Car at Velo-city 2012, I had such a spontaneous urban
encounter which demonstrated the power of (bi)cycles as urban tools to (temporarily)
program sustainably functioning and culturally active urban landscapes animated
by pedal-powered vehicles.
The day
after the Velo-city 2012 conference all the stress was gone, participants had
cheerfully wrapped up the conference and could still enjoy one day roaming
around the city on their BiXi bikes provided to pedal-power Velo-city
participants in Vancouver. So I left my hotel with this indestructible bicycle
turning towards downtown Vancouver on Burrard street and; What?! I see a
Chinese tricycle (sunlunche) on the sidewalk, adapted with a white box to be
usable as a mobile DJ console. Very quickly it dawned on me that this must be Jonathan Igharas, a
designer from Vancouver who creates (amongst others) cycles as adapted urban
tools and who obviously was about to have a good time with one of his creations:
The DJ Trike.
With the
work of Smarter Than Car we had previously even quoted The DJ Trike as an
example of an autonomous urban infrastructure which is able to exploit the
advantages of pedal-powered vehicles for cultural events in public space. What
we found interesting back then was that The DJ Trike interpreted the diverse Chinese
cargo bike (sunlunche) culture in a modern and beautifully designed way,
whereas in China the multitude of cargo cycles appeared as backward and from
the past (read more about it in this article by Smarter Than Car).
As Jonathan Igharas puts it on his site,
the DJ Trike is “a vehicle and platform
for urban communication and interaction, as well a method to transcend common
perceptions associated with current pedal powered transportation.”
In this
post I want to give you impressions of the urban play session which Jonathan
Igharas lately performed for a wedding and which I was able to witness. This was not the ‘typical’ urban play session
which the collective Labour of Love is performing with the DJ Trike, but showed
the flexibility of pedal-powered vehicles when they are used as autonomous
cultural devices at spontaneous (urban) events. The awe of people who just left
the church being confronted with the DJ Trike playing love songs on the sidewalk
of Burrard street was not to miss and showed that great cities need more
culturally productive pedal-powered vehicles in operation.
In this sense I want to wish Jonathan and the Labour of Love soundsystem all the best for their future endeavours! To keep updated on
the DJ Trike please refer to the DJ Trike’s facebook or twitter and the
facebook page of the Labour of Love Soundsystem.
The DJ Trike's home: Chinatown in Vancouver. |
The DJ Trike has just been recovered (via social media) from being stolen and therefore the branding had to be renewed. |
The Labour of Love soundsystem crew; Jonathan Igharas and Tobias Ottahal. |